Once upon a time, in an old CCM Patrol post, I blogged about Christian music writers who assume that any musician who has experience personal trials has automatically become better at picking a guitar or plunking a piano or whatever it is he/she does. …
Maybe Gillis’ cut-and-paste party is a faddish novelty act, but it’s too much fun to walk away from.
This is what happens when you work too hard to polish a formula that already worked pretty well.
America’s largest free concert blends Christian rock, consumerism, and mass conversion.
A surprising, delightfully rough debut from a band of Tooth & Nail newcomers.
I only know a handful of your songs, and I like even less. But I love you more than any of your other “fans.”
If there’s any band that has to watch their growth and experimentation closely, its Anberlin. One step too far “out there,” one “artsy” idea too many, and they risk alienating years of hard work and millions of fans…
Chris Tomlin’s new album, the sort of schmaltzy titled Hello Love is set to drop Sept. 2nd and will without fail bring sight to the blind, bring life to the dead, and bring the United States away from the brink of recession…
To best understand The Hold Steady, you should get one thing: it’s rap music for the white man.
Last week’s best writing on arts and culture from around the web.
More on how to create a flourishing independent arts scene.
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