Valkyrie, Tom Cruise’s celebrated Nazi movie, gets lost in its obsession with details.
Poet and creative writing prof Joe Weil talks about his first national release, his understanding of creativity, and how he keeps himself on God’s mind.
The Dark Night constructs a mythology from hopeful, pop-culture nihilism.
More on how to create a flourishing independent arts scene.
Wrapping up season four of the most insane television show ever produced.
Don’t wait or whine about the established arts scene. It’s time to start your own.
Fetishized weirdness takes a backseat to soaring vocals and instrumental interludes.
When Washington Post literature critic Jonathan Yardley called John Steinbeck “artless” in a column last week, he received the following bitchfest from me. …
Vantage Point, Lost, and the triumph (and death) of the avant garde narrative.
What Christian Music Today gets wrong about the religious ruminations of Iron & Wine.
Polar bears and breakneck pace are back in the second episode of Lost, season four.
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